Mystical Sufism in the poem (Qaq Al-Qamis) by the Libyan poet Muhammad Al-Mazoghi

Abstract

It is not surprising that Sufi gratitude is the advancement in the ranks of knowledge of the Almighty, and the exploration of the insides of things to reach knowledge, being a doctrine or an intellectual approach that has its mechanisms that the brain operates with to reveal existence, and generate knowledge that is part of the mental perception that takes place at the level of the image. To produce implicit meanings, and it is the same image that made the Sufi discourse of the poet Muhammad Al-Mazoghi a discourse with gnostic tendencies that produced for us new indications in which the servant’s connection with his Lord glowed through sacred images chained by language and dressed in a poetic, mystical aesthetic in which the divine splendor is manifested, and they are communicative images of the ontological misery of the human being that is inescapable. It depends only on knowledge and mental reasoning.

Al-Mazoghi relied on symbolic predicates that have spiritual dimensions, reflecting them on a present afflicted with misfortunes, mired in calamities, referring to the investment of the inherited and its branding references, squeezing its semantic value, and diving into the inflections of situations and events; For salvation from the pit of sedition, and treachery of the brothers in the shrine of the Sufi sailing with the oar of knowledge of fragments that are infiltrated by the mystical commas, directed by Al-Mazoghi to our crippled lives, which the delusional people staged and distorted by the foolish politicians, so that they may be glorified, so that they may spread their radiances on our souls and cool our burning fires with their breezes.